the Commedia dell'Arte:
the path, defined as the search path,
nonlinear, leading to a Character
goal, steering a middle course
and swaying between different voltages (first game
Walk, an elastic tension), the
Certtezze and Doubts (second game with
posture of the legs to represent the
'tent' of Doubt), the
Knowing and ignorance (
third game with all the variations on the Trust: Batons,
falls, blindfolded). The path and
' was then brought back to the Corps of
Lovers (based at Columbine).
- Amato (AC ambiguity):
sternum out of hand under her armpits
thrown open to the front, elbows high and fluctuating
to simulate the wings, smiling face and joyful
, sit outside and ancheggiante feet
overridden by a motion to U;
un'avance Upon receipt of unwanted,
closes gently with a large opening to the sky
(arms of an arc of rainbow) and then a closing
vortex legs and arms across chest . The head
remains open, reclining on the shoulder.
- AMATO (contemporary ambiguity):
sternum out, proudly and defiantly.
Chin up, sly.
right hand forward as a token of gift, holding
and security / promise, with the palm facing the sky
(which then goes under the chin of Columbine).
legs like Columbine but NOT
ancheggiante and more 'robust, as a conqueror.
The left hand behind his back to conceal and hide
: the act of lying, money,
of punch, etc. ...
Upcoming events:
- Tuesday Yogurt '14 together with Ludyka
- Saltymbanco TESTS Wednesday, 8 from 20.00, then
Entertainment' Peace 'Thursday' 9 to 21.00 and finally
Monday, 13 laboratory alone.
Path workshop open to all ages and all levels of actor, which aims to study the Theatre Dadaist and Surrealist, to the work of Borges, Jodorowski and Ionesco. 
0 comments:
Post a Comment