Heart Palpitations And Kidneys

Monday 'October 4: The Meeting The Meeting

In the first meeting, the three laboratories were
meeting. The Theatre (still in construction phase but
already 'accessible
and friendly to work)
welcomed new and old, for the Design of Path

year 2010-2011. They
delinetai the 3 groups with
roles of the various masks:
**
with question marks indicate the uncertain or undecided **
1) fang (Servant silly):
Serenella (Ludyka)
Alessandro (Saltymbanco)
Alessio (Yogurt)
2) Captain (braggart):
Omar (Ludyka)
Stefano?? (Saltymbanco)
Francis?? (New) (Yogurt)
3) PANTS (Old):
Federichino (Ludyka)
Franz (Saltymbanco)
Graziella (Yogurt)
4) HARLEQUIN (Servant Furbo):
Henry (Ludyka)
Andrea (Saltymbanco)
Doriana (new)?? (Yogurt)
5) LOVER (tragi-comic hero): Massimo
(Ludyka)
Sergio (Saltymbanco)
Gianluca (again)?? (Yogurt)
6) BELOVED (modern heroine):
Chiara (Ludyka)
Giulia (Saltymbanco)
Pamela (new)?? (Yogurt)
7) PUNCH (Servant ghost):
Federiconi (Ludyka)
Chiara (Saltymbanco)
Michela (Yogurt)
8) Brighella (stupid servant):
Roberto (Ludyka)
Esther?? (Saltymbanco)
Valeria (Yogurt)
9) ZANNI NARRATOR:
Vania (Ludyka)
Carmen (New)?? (Saltymbanco)
Roberta (new)?? (Yogurt)
10) Balanzoni (Bully):
Clotilde (new)?? (Ludyka)
Elizabeth (Saltymbanco)
Fatima or Laura (new)?? (Yogurt)
*** I possibly
Carmine (the Saltymbanco)
Irene (the Ludyka) and Fatima (Yogurt).
Each workshop has voted and chose their own themes of
Canvas: Yogurt
= "
the difficult communication between diversity ', sex, age,'
culture, etc.. lack of communication '
gender "
Saltymbanco =" Education
to Fantasia, and against the approval
vulgarity '"
Ludyka =" Poverty' and the
theme of work, with white deaths,
exploitation and unemployment. "

Finally we set the calendar in October: Mon 11
= Saltymbanco and Yogurt
Mart Ludyka
Mon 18 = 12 = 19 = Saltymbanco
Mart Yogurt and Yogurt Ludyka
Mon 25 = 26 = Saltymbanco
Mart and Mart Ludyka
November 2 = All 3 together! *
on this date is set for November
Calendar.

Path workshop open to all ages and all levels of actor, which aims to Dadaist and Surrealist Theatre of the study, to the work of Borges, Jodorowski and Ionesco.